At the Circus
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After a short stint with RKO, the Marxes returned to MGM for this film. In his autobiography, Groucho And Me (copyright 1959 by Groucho Marx), Groucho mentions one aspect of this picture. There was a rather significant part in the film for an ape. Since they had no luck getting a live ape to play the part and had no desire to capture one and train him, they decided to hire an actor in an ape skin.
It seems that not only did the actor have an agent, but the ape skin had an agent of it's own. The problem arose that the actor couldn't get enough air in the skin and caused trouble by fainting in the middle of shooting. He tried to alleviate this problem by secretly punching holes in the costume. After a long period of shooting where the actor was performing without any ill effects, the skin's agent figured something screwy was going on, so he checked out the suit and found the ventilation holes. He stalked out of MGM with the skin over his shoulder, never to be seen again.
After three days outside of a gorilla skin, the actor became uncomfortable and tracked down a man in San Diego who had an orangutan skin. Since orangutans are much smaller than gorillas, the actor couldn't fit into the skin and was replaced with a smaller man who had made a name for himself playing orangutans in the San Diego area. Thus, there are actually two apes in "At The Circus." Groucho goes on to talk about the reviews of the picture: "At the first preview nobody mentioned us. Our gifted performances went for naught. The audience had eyes only for the gorilla. But overcritical viewers complained that in some scenes the gorilla seemed to be larger than he was in others, and that this had definitely weakened the credibility of the love story...Later however, when the picture was released, the theatres were obliged to refund the price of admission to many gorilla aficionados who complained that they had paid not to see the Marx Brothers but to see a full-sized gorilla, and instead they had been slipped a shrunken ape."
On to the actual picture. Circus owner Jeff Wilson (Kenny Baker) has been disowned by his wealthy aunt, Mrs. Dukesbury (Margaret Dumont). He is having financial trouble so one of his employees, Antonio (Chico) sets out to hire Attorney J. Cheever Loophole (Groucho) to help out. Loophole arrives only to find that the $10,000 Jeff was going to use to pay off part of his debt to John Carter (James Burke) has been stolen.
With the help of Antonio and Punchy (Harpo), Loophole tries to uncover the thieves and return the dough to Wilson. As a backup plan, he sets out to squeeze the 10 grand out of Mrs. Dukesbury on the sly.
This film contains one of Groucho's best-known songs, Lydia The Tattooed Lady.
LOOPHOLE: I'll bet your father spent the first year of your life throwing rocks at the stork.
Related Links
Sounds
- "Lydia, the Tattooed Lady" at http://members.tripod.com/Cleo256/marx
Quotes
- "Lydia, the Tattooed Lady" at http://members.tripod.com/Cleo256/marx
- "Lydia, the Tattooed Lady"
General
Cast:
| Groucho Marx | J. Cheever Loophole | ||
| Harpo Marx | Punchy | ||
| Chico Marx | Antonio Pirelli | ||
| Margaret Dumont | Mrs. Suzanna Dukesbury | ||
| Kenny Baker | Jeff Wilson | ||
| Florence Rice | Julie Randall | ||
| Eve Arden | Peerless Pauline | ||
| Nat Pendleton | Goliath | ||
| Fritz Feld | Jardinet | ||
| James Burke | John Carter | ||
| Jerry Maren (as Jerry Marenghi) | Little Professor Atom | ||
| Barnett Parker | Whitcomb | ||
| Frank Orth | Chef in Diner | ||
| Emory Marnell | Ringmaster | ||
| Irving Bacon | Telegraph office clerk | ||
| Matt McHugh | Cab Driver | ||
| Willie Best | Redcap | ||
| Charles Gemora | Gibraltar | ||
| Buck Mack | Checker Player | ||
| Frank Darien | Telegrapher |
| Director | Edward Buzzell | ||
| Written by | Irving Brecher | ||
| Ben Hecht (uncredited) | |||
| Cinematography | Leonard M. Smith | ||
| Music | Harold Arlen | ||
| Lyricist | E.Y. Harburg | ||
| Musical director | Franz Waxman | ||
| Art directors | Cedric Gibbons | ||
| Stan Rogers | |||
| Set decorator | Edwin B. Willis | ||
| Editor | William H. Terhune | ||
| Vocal and orchestral Arrangements | Murray Cutter | ||
| George Bassman | |||
| Ken Darby | |||
| Dance director | Bobby Conolly | ||
| Costume design | Dolly Tree (women) | ||
| Valles (men) | |||
| Recording director | Douglas Shearer | ||
| Assistant director | Sandy Roth | ||
| Producer | Mervyn LeRoy | ||
| Production company / Distribution | Metro-Goldwyn-Meyer (Loew's Inc.) | ||
| Runtime | 87 min. | ||
| Release date | 20 Oct 1939 | ||
| New York opening | 16 Nov 1939 | ||
| Spanish title | Una tarde en el circo | ||
| French title | Un jour au cirque | ||
| German title | Die Marx Brothers im Zirkus | ||
| Swedish title | En dag på cirkusen | ||
| Italian title | Tre pazzi a zonzo | ||
| Finnish title | Päivä sirkuksessa |
Posters and Lobby Cards for this movie. Click to enlarge.
Musical numbers
| Performed by | Comments | ||
|---|---|---|---|
| Main Title Music by: Harold Arlen Lyrics by: E.Y. Harburg | |||
| Step Up And Take A Bow Music by: Harold Arlen Lyrics by: E.Y. Harburg | |||
 view | Two Blind Loves Music by: Harold Arlen Lyrics by: E.Y. Harburg | Kenny Baker | |
| Train musique Music by: Harold Arlen Lyrics by: E.Y. Harburg | |||
| Beer Barrel Polka Music by: Harold Arlen Lyrics by: E.Y. Harburg | |||
| Frida Oum Papa Music by: Harold Arlen Lyrics by: E.Y. Harburg | |||
 view | Lydia, The Tattooed Lady Music by: Harold Arlen Lyrics by: E.Y. Harburg | Groucho | |
| Swingali Music by: Harold Arlen Lyrics by: E.Y. Harburg | |||
| Blue moon Music by: Harold Arlen Lyrics by: E.Y. Harburg | |||
| Circus Music by: Harold Arlen Lyrics by: E.Y. Harburg | |||
| End Title Music by: Harold Arlen Lyrics by: E.Y. Harburg |
